


asteriod_b612 wrote:woah fuckign top line up.









Andrew Falkous wrote:we'll get the world we all deserve

FIRSTOFTHEGIANTS wrote:I thought ACK, ACK, ACK were ! ! ! but that was how you say it. Surely it should be written ! ! ! ?


Andrew Falkous wrote:we'll get the world we all deserve














asteriod_b612 wrote:sailors are pretty good, young new band with female drummer.








Dash wrote:Well... um, here's my 'review'.
http://www.skipthebudgie.org/reviews/ac ... k_mar_24th
King Alexander were good, yay!
And Ack Ack Ack's drummer. The rest was, well...




Dash wrote: and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
...

button wrote:Dash wrote: and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
...
bad as in badly out of time, or cheesy or..?


Dash wrote:button wrote:Dash wrote: and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
...
bad as in badly out of time, or cheesy or..?
...As in basic, simple, annoying.




Dash wrote:They are childish because they sound and behave like they have just found out how to make loud noisey distortion, and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
It's what I used to do with my mate at school.
Of course I may be wrong and there might be some 'point' to it, but still...


benjamin power wrote:Dash wrote:They are childish because they sound and behave like they have just found out how to make loud noisey distortion, and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
It's what I used to do with my mate at school.
Of course I may be wrong and there might be some 'point' to it, but still...
how do people who 'have just found out how to make noisy distortion' behave, just out of interest? i think you may be missing the point...
i'll admit our sound was shit that night though.

benjamin power wrote:Dash wrote:They are childish because they sound and behave like they have just found out how to make loud noisey distortion, and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
It's what I used to do with my mate at school.
Of course I may be wrong and there might be some 'point' to it, but still...
how do people who 'have just found out how to make noisy distortion' behave, just out of interest? i think you may be missing the point...
i'll admit our sound was shit that night though.


Dash wrote:Um... It's pretty obvious what I mean. like people who have just discovered anything - like powerchords.. you play them over and over again. experiment to see what happens afterwards. Bang some stuff. Shout a bit. I suppose I could have been nicer but I have a headache.


Dash wrote:benjamin power wrote:Dash wrote:They are childish because they sound and behave like they have just found out how to make loud noisey distortion, and all they do over it is bang some (pretty bad) rhythms and shout incomprehensibly over the top.
It's what I used to do with my mate at school.
Of course I may be wrong and there might be some 'point' to it, but still...
how do people who 'have just found out how to make noisy distortion' behave, just out of interest? i think you may be missing the point...
i'll admit our sound was shit that night though.
Um... It's pretty obvious what I mean. like people who have just discovered anything - like powerchords.. you play them over and over again. experiment to see what happens afterwards. Bang some stuff. Shout a bit. I suppose I could have been nicer but I have a headache.
Still, I'm happy to be missing the point too! Like I said, it's probably meant to be like that, there might be some 'point' to it so who would I be to try to change it? If I want to listen to something different I'll listen to something different and next time I'll be outside, and I'll have to write 'they might be better, but I don't know coz I was outside'.
EDIT: Anyone got a shovel?



Dash wrote:Heh shit, I think I said that about Hunting Lodge years ago didn't I? I also get your point - um I think.
Ho hum, making a lot of friends today, hey?
Still Ben - thanks for the prize. Trying to describe stuff is difficult, I'm sure the generalising debate can go on and on. On one hand we're trying to explain how something sounds to people who haven't heard it, how it appears, and on the other we want to treat every band and every sound as its own unique concept and experience. Which is why bands don't like being compared to other things. It makes it seem unoriginal. Which is why you want to know exactly, precisely what I mean. Because I wrote it down. I understand.

Dash wrote:Heh shit, I think I said that about Hunting Lodge years ago didn't I? I also get your point - um I think.
Ho hum, making a lot of friends today, hey?
Still Ben - thanks for the prize. Trying to describe stuff is difficult, I'm sure the generalising debate can go on and on. On one hand we're trying to explain how something sounds to people who haven't heard it, how it appears, and on the other we want to treat every band and every sound as its own unique concept and experience. Which is why bands don't like being compared to other things. It makes it seem unoriginal. Which is why you want to know exactly, precisely what I mean. Because I wrote it down. I understand.





Dash wrote:Right I see.
So you have to have a deeper knowledge of the bands, what they are trying to achieve, what they listen to etc before you can say what you think about the music? You need to know the artist's mood before you judge a painting?
Dash wrote:
I don't know enough about noise music / experimentalism / metal whatever to make a meaningful judgement? I haven't watched Hunting Lodge four times, seen Team Brick loads, Silev, Sunn(o))), Maiof?
I'm not taking offense, I expected noise, I got noise. I listen to tons of music. Lots and lots of different colours and flavours.
Can some explain what they were trying to do then, if it's too subtle fer me?

Dash wrote:So you have to have a deeper knowledge of the bands, what they are trying to achieve, what they listen to etc before you can say what you think about the music? You need to know the artist's mood before you judge a painting?

Noel wrote:Critical appraisals of certain types of music by people who know little or nothing about that music are perfectly legitimate. Sometimes I find them more interesting than some techy trainspotter's verbal dissection. Just so long as you're prepared to be called out on stuff by people who are properly into their shit
Kevlon wrote:The criticism of 'boys who've just discovered distortion' suggested to me that you were missing that a lot of noise-y music is pretty much exactly that.


methods that Pound wrote:Dash wrote:So you have to have a deeper knowledge of the bands, what they are trying to achieve, what they listen to etc before you can say what you think about the music? You need to know the artist's mood before you judge a painting?
No of course you don't need any idea of the intentions/mood of an artist.
But you do need to be willing to judge something on its own ground, otherwise you're working with a set of criteria which are inappropriate what's in front of you. It's like saying that there's not enough gore in Werner Herzog's films.
There are roughly two responses to guitars that don't sound like metal guitars - you either judge it by metal standards which perhaps don't fit, or you figure there's another set of criteria at work here.
Basically you can do and say what you like, but it will be apparent to people who understand the music that you don't. Which isn't to say that you need to like the music - you can, and probably will, still think it's rubbish. You might even disagree with their aesthetic criteria, but that's a very different thing from not having a clue what their aesthetic criteria are/not understanding their aesthetic criteria.




Noel wrote:Ack Ack Ack's drummer is great! I think he is in Charlottefield as well

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