by Ian W. Stock » 10 May 2004, 12:24
Born in Poole General Hospital at 12:39pm on Saturday, November 28th, 1981, the eldest of the three children of Peter William Grounds (a plumber and former oil survey ship crewman) and Marilyn Linda Grounds (née Pearson; a hospital catering operative who would later become an infants school SEN teacher), Joseph Howard Grounds showed early intellectual promise, teaching himself how to read before his second birthday and, by age 6, refusing to do maths problems at school because they were "beneath" him. This precocious (some would say twattish) behaviour resulted in his acceptance into the private schooling system, which he began a school year above his actual age at Castle Court Preparatory School, Corfe Mullen, on a 75% scholarship (plumbers aren't big earners). Thence he earnt a further scholarship to the prestigious Winchester College, otherwise known as "the poor man's Eton", and was forced to wear an hilarious black graduation-style gown to lessons, whilst being groomed as a potentially great mathematical thinker. However, one fateful day in 1994, Joe wandered into the Bentall Centre in Winchester town and found a small, independent shop called Falcon Records, and began a life-long love affair with obscure musical forms.
In the years that followed, Joseph was invited to play bass guitar in a band called Quintessence by a frankly terrible songwriter called Marcus Omond, along with a floppy-haired borderline mental classical pianist called Jonny Kennedy, and a spiky-haired green-trenchcoat-wearing Palace fan called Thomas Patrick B******t (later known as the Knowledge of Bugs). Having ditched Marcus, the remaining threesome played and recorded under many embarassing names, which, like Tom's beautiful Huguenot surname, are now consigned to history's unclaimed locker, before splitting in 1999 after an argument about They Might Be Giants. The only release they made was a solitary song on a German fanzine cassette tape. Subsequently, Joe began crafting solo musical material on an Amiga 500+ under the unspellcheckable moniker Twocsinak; this project later graduated to desktop PC wave editor work, and finally over-elaborate CNP work on a diseased Apple PowerBook.
As his interest in music grew, though, his thirst for regimented empirical learning waned, and, having abandoned Mathematics for Art, he threw away 46 of his 47 UCAS points by embarking on a BTEC Foundation course at the Bournemouth Arts Institute. Here, he formed a short-lived no-input noise ensemble called Commodore 64 Pensioner Teadance, who blew up some speakers on a beach. Following this, he gained a place on a Graphic Design BA course in Kingston-upon-Thames, Surrey, where he played bass guitar in the bands Steamboat Shipman (metal) and The Sophie Hare Scratch Orchestra (funk). A C60 of his solo material was produced, one of the twenty-three copies of which was sent to the Knowledge of Bugs in Bristol. He played excerpts from this tape to renegade promoter / jazzy drum 'n' bass DJ Edward "Punksi" Thomas "Punksi" Francis "Punksi" Siebert, who signed up a couple of tracks for his record label Clean Cut's debut compilation release. Later, it was discovered that Ed had also attended Joe and Tom's fancy-posh school, along with Mark Slater (Asteroth / Float Records co-honcho). Ain't life funny?
After a couple of live gigs in Bristol with his backing band W*O*R*D, and with his utopian dreams for a better word through Graphics roundly smashed by a dismal 2:2 degree result, Joe took the initiative to move westwards and out of the clutches of our maggot-infested capital city and start a new life in the creative hot-house of Avon. Unfortunately, he failed to live up to his earlier promise, and died alone at the age of 43 under a pile of unsold copies of his debut EP. He is survived by his ex-wife, DJ Sarah Wilson, and their two children, Drew and MC.
"All in all, he was a long-winded man" - Guardian G2 supplement.
DJSWx